How do we see ourselves and our lives encased within the landscape of Tasmania?
Debbie Harman’s work is about how landscape always wears the debate of where human intervention should recede or overtake. This includes the artist as a producer of more objects for either posterity or landfill.
Debbie’s evocative pieces are made from hand-formed ceramic components combined with objects she finds washed up on the beaches of North-West Tasmania.

Curated by Marilyn Raw.

Artwork: running by Debbie Harman, ceramic, cans, wood, grit, 40cm x 20cm x 20cm